A review of Yes' 21st studio album The Quest, the band's first without any of the original members.
Review: Pink Floyd – The Dark Side Of The Moon (1973)
A review of Pink Floyd's eighth studio album The Dark Side Of The Moon, which was a phenomenal success.
Review: JG Thirlwell & Simon Steensland – Oscillospira (2020)
A review of Oscillospira, the first joint album by American JG Thirwell and Swedish Simon Steensland. Oscillospira is a dark, modern turbocharged and cinematic take on avant-prog.
Review: Hatfield And The North – s/t (1974)
A review of the 1974 debut album by Hatfield And The North, the first "supergroup" of the Canterbury scene.
Review: Rush – Permanent Waves (1980)
A review of Canadian Rush's seventh studio album Permanent Waves.
Levyarvio: Anderson Bruford Wakeman Howe – s/t (1989)
Arvostelussa Anderson Bruford Wakeman Howen eli "vara-Yesin" ensimmäinen ja ainoaksi jäänyt studioalbumi.
Review: Gentle Giant – Acquiring the Taste (1971)
A review of Gentle Giant's second studio album and the band's first masterpiece Acquiring the Taste.
Review: Soft Machine – Third (1970)
Review of Soft Machine's third studio album, Third, which transforms the legendary Canterbury band's style into their own unique brand of jazz-rock.
Review: Ske – Insolubilia (2021)
A review of Ske's second studio album Insolubilia. Ske is the project of Italian keyboardist Paulo Botta, known from Yugen and Not A Good Sign. With Insolubilia, Botta manages to combine the melodicism of symphonic progressive rock with the angularity of avant-prog into a seamless whole.
Review: King Crimson – Lizard (1970)
A review of Lizard, the third studio album by King Crimson, formed in 1969.