Progressiivisen musiikin pienemmät ja oudommat purot
Animals is the eighth studio album by Pink Floyd, formed in 1965. On Animals, Roger Waters definitively establishes himself as the band’s undisputed artistic leader. The resulting Animals is an uncompromisingly bleak blend of social criticism and pure misanthropy, tinged with black humour.
A review of Yes’s 19th studio album, Magnification, which was recorded with a symphony orchestra.
A review of Jethro Tull’s 10th studio album, Songs From The Wood.
A review of Finnish musician A.W. Yrjänä’s second solo album, Eidolon, on which he clearly shifts toward progressive rock.
In this review, Rush's 14th studio album, Roll The Bones, in which the band further simplifies and streamlines its style.
A review of David Sylvian's third studio album, Gone To Earth, on which King Crimson guitarist Robert Fripp plays a major role.
This review covers David Bowie's 11th studio album, Low, which is the first part of what is known as the “Berlin Trilogy.”
A review of Finnish band Khatsaturjan's fourth studio album, Monologue Of Chronos.
In this review, Yes's eighth studio album, Going For The One, sees the band slightly streamlining their style, which had become quite epic on their previous albums.
This review covers the Swiss band Island's only studio album, Pictures, a forgotten avant-garde gem of dark and complex symphonic progressive rock.
Pienemmät Purot 