Arvostelussa belgialaisen Cosin toinen studioalbumi Viva Boma joka on yksi parhaista ei-Englantilaisista Canterbury-skeneen laskettavista levyistä.
Viikon Teos 14: Bela Fleck and the Flecktones: Flight of the Cosmic Hippo
Viikon Teos sarjassa esitellään Bela Fleck and the Flecktonesin jazzia, bluesia, rockia ja roots-musiikkia yhdistelevä levy Flight of the Cosmic Hippo.
Review: Sonata Islands Kommandoh – Quasar Burning Bright (2020)
A review of Italian avant-prog band Sonata Islands Kommandoh’s album Quasar Burning Bright, in which the band, flirting with zeuhl, takes more influences from electronic music.
Review: Yes – Close To The Edge (1972)
A review of Yes’ fifth studio album Close To The Edge, an undisputed masterpiece of symphonic prog.
Review: Sleepytime Gorilla Museum – Of The Last Human Being (2024)
A review of the fourth studio album Of The Last Human Being by the American Sleepytime Gorilla Museum, the band’s first album after a 17-year recording hiatus.
Levyarvio: Sleepytime Gorilla Museum – Of The Last Human Being (2024)
Arvostelussa amerikkalaisen Sleepytime Gorilla Museumin neljäs studiolevy Of The Last Human Being joka on yhtyeen ensimmäinen levy 17 vuoden levytystauon jälkeen.
Viikon Teos 87: Timo Lassy & Jukka Eskola – Nordic Stew (2024)
Viikon teos -sarjan 87. osassa Saku Mantere esittelee Timo Lassyn ja Jukka Eskolan New Orleansissa äänittämän jazz-levyn Nordic Stew:n.
Review: Marillion – Fugazi (1984)
Marillion’s second studio album Fugazi is reviewed, with which the band confirmed their position as the spearhead of the neo-progressive movement of the early 80s.
Review: Alan Sorrenti – Aria (1972)
A review of Italian Alan Sorrenti’s dark and dramatic debut album from 1972.
Vuosi vuodelta : Parhaat levyt 1991
Esittelyssä vuoden 1991 parhaat levyt. Mukana mm. Lindsay Cooper, Talk Talk ja Massive Attack.