Progressiivisen musiikin pienemmät ja oudommat purot
A review of Sunset Wading, the first solo album by bassist John G. Perry, known from Caravan. Produced by Rupert Hine, the album features an impressive lineup of musicians, including Michael Giles, Geoffrey Richardson, and Morris Pert.
A review of Henry Cow’s first live album, Concerts. The album offers a brilliant overview of Henry Cow’s approach to music, ranging from complex compositions and interesting cover versions to challenging free improvisations.
This review covers Belgian band Cos’s second studio album, Viva Boma, which is one of the best non-English-language albums associated with the Canterbury scene.
A review of Camel's fourth studio album, Moonmadness.
In this review, Gong's seventh studio album, Gazeuse!, on which the band's musical direction shifted into the hands of drummer Pierre Moerlen.
A review of The Gardens Of Loss, the first solo album by composer/guitarist Mike Johnson, known from Thinking Plague.
Review of Mike Oldfield's 14th studio album, Heaven's Open. The album marked the end of his collaboration with Virgin and was the first on which Oldfield sang all the vocals himself.
Review of Gong's sixth studio album, Shamal. Produced by Pink Floyd's Nick Mason, Shamal is the band's first album since Daevid Allen's departure and is clearly a transitional album. It is also a masterpiece.
Review of Genesis' seventh studio album, A Trick Of The Tail, which was the band's first release after Peter Gabriel's departure.
Review of Rush's eighth studio album, Moving Pictures.
Pienemmät Purot 