Progressiivisen musiikin pienemmät ja oudommat purot
Soft Machine's fourth album, Fourth, is reviewed where the band really moves in the direction of jazz. On Fourth, the psychedelia and rock in general of the previous albums is a thing of the past, as are the Dadaist lyrics of drummer/vocalist Robert Wyatt, as the album is entirely instrumental.
Review of Steven Wilson's second solo album Grace For Drowning.
A review of Yes's ninth studio album Tormato, where the prog legend's decade-long winning streak finally seems to be coming to an end.
Gentle Giant's fifth studio album, the slightly cold-sounding but technically accomplished In A Glass House from 1973, is reviewed.
Arvostelussa David Bowien 26. ja samalla viimeinen studioalbumi ★. Bowien tummasävyinen joutsenlaulu yhdistelee onnistuneesti vaikutteita progressiivisesta rockista, jazzista ja electronicasta.
A review of Magma's 14th studio album, Zëss, a cosmic requiem that has been decades in the making.
A review of Van der Graaf Generator's third studio album H to He Who Am the Only One.
Review of Monika Roscher Bigband's third studio album Witchy Activities And The Maple Death, a powerful combination of progressive rock, jazz and pop with a large line-up.
A review of Pink Floyd's 12th studio album The Wall, which, as envisioned by Roger Waters, ballooned into an ambitious multimedia spectacle.
Review of Neptunian maximalism's second studio album Éons, a massive three-disc set that shockingly combines avant-garde jazz and brutal metal.
Pienemmät Purot 