Gentle Giant's fifth studio album, the slightly cold-sounding but technically accomplished In A Glass House from 1973, is reviewed.
Review: Gentle Giant – In A Glass House (1973)
Levyarvio: David Bowie – ★ [Blackstar] (2016)
Arvostelussa David Bowien 26. ja samalla viimeinen studioalbumi ★. Bowien tummasävyinen joutsenlaulu yhdistelee onnistuneesti vaikutteita progressiivisesta rockista, jazzista ja electronicasta.
Review: Magma – Zëss (2019)
A review of Magma's 14th studio album, Zëss, a cosmic requiem that has been decades in the making.
Review: Van der Graaf Generator – H to He Who Am the Only One (1970)
A review of Van der Graaf Generator's third studio album H to He Who Am the Only One.
Review: Monika Roscher Bigband – Witchy Activities And The Maple Death (2023)
Review of Monika Roscher Bigband's third studio album Witchy Activities And The Maple Death, a powerful combination of progressive rock, jazz and pop with a large line-up.
Review: Pink Floyd – The Wall (1979)
A review of Pink Floyd's 12th studio album The Wall, which, as envisioned by Roger Waters, ballooned into an ambitious multimedia spectacle.
Review: Neptunian Maximalism – Éons (2020)
Review of Neptunian maximalism's second studio album Éons, a massive three-disc set that shockingly combines avant-garde jazz and brutal metal.
Levyarvio: Monika Roscher Bigband – Witchy Activities And The Maple Death (2023)
Arvostelussa Monika Roscher Bigbandin kolmas studiolevy Witchy Activities And The Maple Death, joka on suurella kokoonpanolla tehty väkevä yhdistelmä progressiivista rockia, jazzia ja poppia.
Review: Comus – First Utterance (1971)
A review of Comus' debut album, the progressive pagan folk masterpiece First Utterance.
Review: Black Midi – Cavalcade (2021)
The second studio album Cavalcade by Black Midi, a group of young musicians formed in 2017, is being reviewed. With the frenetic and avant-garde Cavalcade, Black Midi leaps straight to the highest echelons of modern progressive rock.
Pienemmät Purot 