Soft Machine's fourth album, Fourth, is reviewed where the band really moves in the direction of jazz. On Fourth, the psychedelia and rock in general of the previous albums is a thing of the past, as are the Dadaist lyrics of drummer/vocalist Robert Wyatt, as the album is entirely instrumental.
Levyarvio: Deep Purple – Bombay Calling – Live In ’95 (2022)
Arvostelussa Deep Purplen livelevy Bombay Calling – Live In ’95.
Review: Steven Wilson – Grace For Drowning (2011)
Review of Steven Wilson's second solo album Grace For Drowning.
Review: Yes – Tormato (1978)
A review of Yes's ninth studio album Tormato, where the prog legend's decade-long winning streak finally seems to be coming to an end.
Review: Gentle Giant – In A Glass House (1973)
Gentle Giant's fifth studio album, the slightly cold-sounding but technically accomplished In A Glass House from 1973, is reviewed.
Levyarvio: Deep Purple – Whoosh! (2020)
Arvostelussa Deep Purplen 21. studiolevy Whoosh!.
Review: Magma – Zëss (2019)
A review of Magma's 14th studio album, Zëss, a cosmic requiem that has been decades in the making.
Review: Van der Graaf Generator – H to He Who Am the Only One (1970)
A review of Van der Graaf Generator's third studio album H to He Who Am the Only One.
Levyarvio: Rush – s/t (1974)
Arvostelussa kanadalaisen Rushin nimetön debyyttialbumi.
Review: Neptunian Maximalism – Éons (2020)
Review of Neptunian maximalism's second studio album Éons, a massive three-disc set that shockingly combines avant-garde jazz and brutal metal.