Review of Marillion's third studio album Misplaced Childhood, which became the neo-prog band's most popular release by far.
Review: Marillion – Misplaced Childhood (1985)
Review: Dead Can Dance – Aion (1990)
In this review, Dead Can Dance's fifth studio album, Aion, sees the duo of Brendan Perry and Lisa Gerrard drawing even more inspiration from Renaissance and medieval music.
Review: Peter Gabriel – s/t (1980)
Review of Peter Gabriel's third solo album, one of the most significant and innovative records of the 1980s.
Review: Mike Oldfield – Amarok (1990)
Review of Mike Oldfield's 13th studio album, Amarok. Consisting of just one 60-minute track, Amarok marks Oldfield's return to instrumental progressive rock after years of pop.
Review: Fripp & Eno – (No Pussyfooting) (1973)
A review of the first joint album (No Pussyfooting) by two progressive music visionaries, Robert Fripp and Brian Eno.
Year by Year: Best Albums of 1972 – 21-30
Introducing the best albums of 1972, ranked 21–30. Featuring Khan, Le Orme, Premiata Forneria Marconi, Pink Floyd and more.
Review: Henry Cow – In Praise Of Learning (1975)
Review of Henry Cow's third studio album, In Praise Of Learning, made in collaboration with Slapp Happy.
Review: Scott Walker – Tilt (1995)
Review of Scott Walker's 12th studio album, Tilt.
Review: Darrifourcq Hermia Ceccaldi – Kaiju Eats Cheeseburgers (2020)
The second studio album by French-Belgian trio Darrifourcq Hermia Ceccaldi, Kaiju Eats Cheeseburgers, elevates the band to the elite ranks of European avant-garde jazz.
Review: Camel – The Snow Goose (1975)
Review of Camel's third, and probably most loved, album The Snow Goose
Pienemmät Purot 