A review of Mike Oldfield's eighth studio album Crises, best known for hit single "Moonlight Shadow".
Review: Mike Oldfield – Crises (1983)
Review: Mike Oldfield – Tubular Bells (1973)
A review of Mike Oldfield's hugely successful debut album Tubular Bells from 1973.
Review: Annie Barbazza – Vive (2020)
Milanese progressive rock lover Annie Barbazza's debut album Vive combines the delicate art pop of Susanna Sundfør with the gothic avantgarde experimentalism of Anna Von Hausswolf.
Review: Magma – Mekanïk Destruktïw Kommandöh (1973)
A review of perhaps the most definitive studio album by the French band Magma, Mekanïk Destruktïw Kommandöh from 1973.
Review: Jack O’ The Clock – Leaving California (2021)
A review of the eighth studio album Leaving California by American avant-prog band Jack O' The Clock. On their latest album, the band simplifies their expression a bit, leaning more towards folk music.
Review: PoiL/Ueda – s/t (2023)
PoiL/Ueda is a powerful combination of the modern avant-prog of French PoiL and the traditional music of Japanese Junko Ueda.
Review: King Crimson – Larks’ Tongues in Aspic (1973)
The review features King Crimson's fifth studio album Larks' Tongues in Aspic which introduced not only the band's new line-up but also a significantly renewed musical style.
Review: Pink Floyd – The Final Cut (1983)
A review of Pink Floyd's 12th studio album, the controversial The Final Cut, which was Roger Waters' last album with the band.
Review: Porcupine Tree – Closure/Continuation (2022)
Review of Porcupine Tree's 12th studio album Closure/Continuation. The album is the first after a break of more than ten years for the band, which has been scaled down to a trio.
Review: PoiL – Sus (2019)
A review of the third album by the French avant-prog trio PoiL, Sus.
Pienemmät Purot 