A review of Magma's 14th studio album, Zëss, a cosmic requiem that has been decades in the making.
Review: Magma – Zëss (2019)
Review: Van der Graaf Generator – H to He Who Am the Only One (1970)
A review of Van der Graaf Generator's third studio album H to He Who Am the Only One.
Review: Monika Roscher Bigband – Witchy Activities And The Maple Death (2023)
Review of Monika Roscher Bigband's third studio album Witchy Activities And The Maple Death, a powerful combination of progressive rock, jazz and pop with a large line-up.
Review: Pink Floyd – The Wall (1979)
A review of Pink Floyd's 12th studio album The Wall, which, as envisioned by Roger Waters, ballooned into an ambitious multimedia spectacle.
Review: Neptunian Maximalism – Éons (2020)
Review of Neptunian maximalism's second studio album Éons, a massive three-disc set that shockingly combines avant-garde jazz and brutal metal.
Review: Comus – First Utterance (1971)
A review of Comus' debut album, the progressive pagan folk masterpiece First Utterance.
Review: Black Midi – Cavalcade (2021)
The second studio album Cavalcade by Black Midi, a group of young musicians formed in 2017, is being reviewed. With the frenetic and avant-garde Cavalcade, Black Midi leaps straight to the highest echelons of modern progressive rock.
Review: Genesis – Trespass (1970)
Reviewing Genesis' second studio album Trespass, the band really find their own style after their lacklustre debut.
Review: Black Country, New Road – For The First Time (2021)
For The First Time is Black Country, New Road's first studio album. The young British band Black Country, New Road comes from the same scene as Black Midi and Squid. On their debut album, the talented band combines post-punk, prog, jazz and even klezmer in a delightfully open-minded and fresh way.
Review: Van der Graaf Generator – The Least We Can Do Is Wave to Each Other (1970)
A review of the second studio album by Van der Graaf Generator, masters of dark and dramatic prog.
Pienemmät Purot 