Review of Mike Oldfield's ninth studio album Discovery, on which Oldfield tries his hand at pop music.
Review: Mike Oldfield – Discovery (1984)
Review: David Sylvian – Brilliant Trees (1984)
A review of former Japan vocalist David Sylvian's first solo album Brilliant Trees.
Review: Univers Zero – Uzed (1984)
The fourth studio album Uzed by Belgian avant-prog band Univers Zero is reviewed. With Uzed, the compositional responsibility falls entirely on the shoulders of the band's virtuoso drummer Daniel Denis.
Review: Nick Mason – Nick Mason’s Fictitious Sports (1981)
A review of Nick Mason's Fictitious Sports, the first solo album by Pink Floyd drummer Nick Mason. Or is it really?
Review: Robert Fripp – Exposure (1979)
A review of King Crimson guitarist Robert Fripp's first solo album Exposure.
Review: Peter Gabriel – Passion (1989)
A review of Peter Gabriel's soundtrack album Passion for Martin Scorsese's film The Last Temptation Of Christ.
Review: Henry Cow – Unrest (1974)
A review of the second studio album Unrest by avant-prog band Henry Cow. Classically trained woodwind virtuoso Lindsay Cooper joins the band, bringing the band even closer to contemporary Western art music.
Review: Gentle Giant – Octopus (1972)
A review of Gentle Giant's fourth studio album Octopus, the band's last with founding member Phil Shulman.
Review: Sonata Islands Kommandoh – Quasar Burning Bright (2020)
A review of Italian avant-prog band Sonata Islands Kommandoh's album Quasar Burning Bright, in which the band, flirting with zeuhl, takes more influences from electronic music.
Review: Present – This Is NOT The End (2024)
This is NOT The End, the eighth studio album by Belgian band Present, which will probably be the last for the dark and heavy avant-prog band.
Pienemmät Purot 