A review of Nick Mason's Fictitious Sports, the first solo album by Pink Floyd drummer Nick Mason. Or is it really?
Review: Nick Mason – Nick Mason’s Fictitious Sports (1981)
Review: Robert Fripp – Exposure (1979)
A review of King Crimson guitarist Robert Fripp's first solo album Exposure.
Review: Peter Gabriel – Passion (1989)
A review of Peter Gabriel's soundtrack album Passion for Martin Scorsese's film The Last Temptation Of Christ.
Review: Henry Cow – Unrest (1974)
A review of the second studio album Unrest by avant-prog band Henry Cow. Classically trained woodwind virtuoso Lindsay Cooper joins the band, bringing the band even closer to contemporary Western art music.
Review: Gentle Giant – Octopus (1972)
A review of Gentle Giant's fourth studio album Octopus, the band's last with founding member Phil Shulman.
Review: Sonata Islands Kommandoh – Quasar Burning Bright (2020)
A review of Italian avant-prog band Sonata Islands Kommandoh's album Quasar Burning Bright, in which the band, flirting with zeuhl, takes more influences from electronic music.
Review: Present – This Is NOT The End (2024)
This is NOT The End, the eighth studio album by Belgian band Present, which will probably be the last for the dark and heavy avant-prog band.
Review: Jethro Tull – Thick As A Brick (1972)
Reviewing Jethro Tull's fifth studio album, the epic yet humorous Thick As A Brick which might well be the band's best album.
Review: Jakko M Jakszyk – Secrets & Lies (2020)
Review of Secrets & Lies which is the first solo album in 14 years by King Crimson guitarist/vocalist Jakko M Jakszyk. Secrets & Lies combines art rock and prog with the help of a skilled cast of musicians (including Peter Hammill, Tony Levin, Gavin Harrison and Robert Fripp).
Review: Yes – Close To The Edge (1972)
A review of Yes' fifth studio album Close To The Edge, an undisputed masterpiece of symphonic prog.
Pienemmät Purot 