A review of Van der Graaf Generator's third studio album H to He Who Am the Only One.
Review: Van der Graaf Generator – H to He Who Am the Only One (1970)
Levyarvio: Dead Can Dance – Aion (1990)
Arvostelussa Dead Can Dancen viides studiolevy Aion jolla Brendan Perryn ja Lisa Gerrardin muodostama duo ammentaa yhä enemmän vaikutteita renessanssin ja keskiajan musiikista.
Review: Monika Roscher Bigband – Witchy Activities And The Maple Death (2023)
Review of Monika Roscher Bigband's third studio album Witchy Activities And The Maple Death, a powerful combination of progressive rock, jazz and pop with a large line-up.
Review: Pink Floyd – The Wall (1979)
A review of Pink Floyd's 12th studio album The Wall, which, as envisioned by Roger Waters, ballooned into an ambitious multimedia spectacle.
Levyarvio: Rush – s/t (1974)
Arvostelussa kanadalaisen Rushin nimetön debyyttialbumi.
Review: Neptunian Maximalism – Éons (2020)
Review of Neptunian maximalism's second studio album Éons, a massive three-disc set that shockingly combines avant-garde jazz and brutal metal.
Levyarvio: Monika Roscher Bigband – Witchy Activities And The Maple Death (2023)
Arvostelussa Monika Roscher Bigbandin kolmas studiolevy Witchy Activities And The Maple Death, joka on suurella kokoonpanolla tehty väkevä yhdistelmä progressiivista rockia, jazzia ja poppia.
Review: Comus – First Utterance (1971)
A review of Comus' debut album, the progressive pagan folk masterpiece First Utterance.
Review: Black Midi – Cavalcade (2021)
The second studio album Cavalcade by Black Midi, a group of young musicians formed in 2017, is being reviewed. With the frenetic and avant-garde Cavalcade, Black Midi leaps straight to the highest echelons of modern progressive rock.
Vuosi vuodelta : Parhaat levyt 1989
Esittelyssä vuoden 1989 parhaat levyt. Mukana mm. Steve Reich, Peter Gabriel, Allan Holdsworth ja Miles Davis.
Pienemmät Purot 