Arvostelussa Mike Oldfieldin 13. studiolevy, Amarok. Vain yhden 60 minuuttisen kappaleen sisältävä Amarok on Oldfieldin paluu instrumentaalisen progressiivisen rockin pariin pop-vuosien jälkeen.
Review: Soft Machine – Fourth (1971)
Soft Machine's fourth album, Fourth, is reviewed where the band really moves in the direction of jazz. On Fourth, the psychedelia and rock in general of the previous albums is a thing of the past, as are the Dadaist lyrics of drummer/vocalist Robert Wyatt, as the album is entirely instrumental.
Levyarvio: Deep Purple – Bombay Calling – Live In ’95 (2022)
Arvostelussa Deep Purplen livelevy Bombay Calling – Live In ’95.
Review: Steven Wilson – Grace For Drowning (2011)
Review of Steven Wilson's second solo album Grace For Drowning.
Levyarvio: John Zorn – Naked City (1990)
Arvostelussa saksofonisti John Zornin levy Naked City joka on itseasiassa saman nimisen yhtyeen debyyttilevy. Zorn muusikkoineen yhdistelee väkivaltaisella tavalla keskenään mm. avantgarde-jazzia, surf-rockia ja grindcorea.
Review: Yes – Tormato (1978)
A review of Yes's ninth studio album Tormato, where the prog legend's decade-long winning streak finally seems to be coming to an end.
Review: Gentle Giant – In A Glass House (1973)
Gentle Giant's fifth studio album, the slightly cold-sounding but technically accomplished In A Glass House from 1973, is reviewed.
Levyarvio: Deep Purple – Whoosh! (2020)
Arvostelussa Deep Purplen 21. studiolevy Whoosh!.
Levyarvio: David Bowie – ★ [Blackstar] (2016)
Arvostelussa David Bowien 26. ja samalla viimeinen studioalbumi ★. Bowien tummasävyinen joutsenlaulu yhdistelee onnistuneesti vaikutteita progressiivisesta rockista, jazzista ja electronicasta.
Review: Magma – Zëss (2019)
A review of Magma's 14th studio album, Zëss, a cosmic requiem that has been decades in the making.