Arvostelussa Dead Can Dancen viides studiolevy Aion jolla Brendan Perryn ja Lisa Gerrardin muodostama duo ammentaa yhä enemmän vaikutteita renessanssin ja keskiajan musiikista.
Levyarvio: Dead Can Dance – Aion (1990)
Review: Monika Roscher Bigband – Witchy Activities And The Maple Death (2023)
Review of Monika Roscher Bigband's third studio album Witchy Activities And The Maple Death, a powerful combination of progressive rock, jazz and pop with a large line-up.
Review: Pink Floyd – The Wall (1979)
A review of Pink Floyd's 12th studio album The Wall, which, as envisioned by Roger Waters, ballooned into an ambitious multimedia spectacle.
Review: Neptunian Maximalism – Éons (2020)
Review of Neptunian maximalism's second studio album Éons, a massive three-disc set that shockingly combines avant-garde jazz and brutal metal.
Levyarvio: Monika Roscher Bigband – Witchy Activities And The Maple Death (2023)
Arvostelussa Monika Roscher Bigbandin kolmas studiolevy Witchy Activities And The Maple Death, joka on suurella kokoonpanolla tehty väkevä yhdistelmä progressiivista rockia, jazzia ja poppia.
Review: Comus – First Utterance (1971)
A review of Comus' debut album, the progressive pagan folk masterpiece First Utterance.
Review: Black Midi – Cavalcade (2021)
The second studio album Cavalcade by Black Midi, a group of young musicians formed in 2017, is being reviewed. With the frenetic and avant-garde Cavalcade, Black Midi leaps straight to the highest echelons of modern progressive rock.
Review: Genesis – Trespass (1970)
Reviewing Genesis' second studio album Trespass, the band really find their own style after their lacklustre debut.
Levyarvostelu: Bob Dylan – Oh Mercy (1989)
Arvostelussa Bob Dylanin 26. studiolevy Oh Mercy jolle tuottaja Daniel Lanois loihti maagisen tunnelman.
Review: Black Country, New Road – For The First Time (2021)
For The First Time is Black Country, New Road's first studio album. The young British band Black Country, New Road comes from the same scene as Black Midi and Squid. On their debut album, the talented band combines post-punk, prog, jazz and even klezmer in a delightfully open-minded and fresh way.
