The review covers Gilgamesh's debut album from 1975, led by keyboardist Alan Gowen.
Review: David Bowie – ★ [Blackstar] (2016)
Review of David Bowie's 26th and final studio album, ★. Bowie's dark swan song successfully combines influences from progressive rock, jazz, and electronica.
Levyarvio: CMX – Dinosaurus Stereophonicus (2000)
Arvostelussa CMX:n kahdeksas studioalbumi Dinosaurus Sterephonicus jolla alunperin hardcore punkilla aloittanut yhtye muuntautuu täysveriseksi progebändiksi.
Review: Pekka Pohjola Group – Kätkävaaran lohikäärme (1980)
Review of Pekka Pohjola Group's first and only recording, Kätkävaaran lohikäärme.
Review: Kansas – Song For America (1975)
Review of Kansas' second studio album, Song For America.
Review: Robert Wyatt – Ruth Is Stranger Than Richard (1975)
Review of Ruth Is Stranger Than Richard, the third solo album by Robert Wyatt, founder of Soft Machine and Matching Mole.
Review: The Mars Volta – Lucro sucio; Los ojos del vacio (2025)
Review of The Mars Volta's ninth studio album, Lucro sucio; Los ojos del vacio.
Levyarvio: The Mars Volta – Lucro sucio; Los ojos del vacio (2025)
Arvostelussa The Mars Voltan yhdeksäs studiolevy Lucro sucio; Los ojos del vacio.
Review: Höyry-kone – Hyönteisiä voi rakastaa (1995)
Review of Höyry-kone's first studio album, Hyönteisiä voi rakastaa .
Review: Valentin & Théo Ceccaldi: Constantine (2020)
A review of Constantine, a joint album by French brothers Théo and Valentin Ceccaldi. Théo and Valentin are best known for their avant-garde jazz, but Constantine's eclectic music includes influences from chamber music, North African ethnic music, prog, tango, and even pop, in addition to jazz.